![]() The Extended has more open counters and works well for small text and for a whole range of eye-catching uses such as headlines and branding. The Normal width is designed to work with the serif, but is narrower and presents a noticeable change in rhythm, which makes it ideal for creating emphasis and highlighting changes in tone. The four widths of Skolar Sans (Compressed, Condensed, Normal, and Extended) offer a great deal of flexibility. Used on its own, the various weights and widths create a harmonious typographic hierarchy, and have enough range and flexibility for very complex and demanding designs. The light weights trend to an almost-monolinear humanist form, with the italics bearing svelte, enticing curves the heavier weights possess the full, luxurious bulk of thick, overlapping strokes by an ink-laden brush.Ī genuine companion to Skolar, Skolar Sans possesses a unique character and style all its own that illuminates the serif, creating an exciting interplay of smooth and textured color. ![]() Rather than any kind of straightforward chop-the-serifs conversion, the characteristic strokes of Skolar are reinterpreted and translated to the lower-contrast world of sans serifs. ![]() ![]() It’s also an object lesson in how to design a companion to a serif. Skolar Sans is the hugely impressive - and huge, at seventy-two fonts - new companion to Rosetta’s Skolar. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |